• Julie Born Schwartz

    From November 02, 2018 to December 19, 2018
    Opening: Fredag d. 2. november kl. 16-18
    At Galleri Image
    Join us for an artist talk with Julie Born Schwartz on December 15th from 2. pm to 3. pm!__________________________Film installation with three HD videos (30 min with sound) and photographic works.   Nestled in the remote town of Cascia, within the m
    ountains of southern Umbrian, lies the Santuario di Santa Rita de Cascia - the resting place of Saint Rita (1381-1457), canonised as the Saint of Impossible Causes.   The film Ex-voto (2018) examines the legacy of Santa Rita through the daily activities of the nuns currently resident at the convent in Cascia. It also draws on the twentieth century French conceptual artist Yves Klein's connection to the saint. Klein was deeply fascinated by Santa Rita and left several ex-voto's at the convent. The resulting film explores expressions of faith in material and visual culture whilst offering a meditation on the nature of spirituality itself.   Santa Rita has a global following and Born Schwartz is the first film-maker to have been granted access to the cloistered areas of the convent. Over the course of two years, hosted by the Mahler & LeWitt Studios residency program in nearby Spoleto, she became acquainted with the nuns, making intimate interviews and recording their lives on film.   The film incorporates other locations near Spoleto which have spiritual connotations, including Tomaso Buzzi's folly complex in Montegabbione, 'La Scarzuola', and a submerged church used by Russian film-maker Andrei Tarkovsky in his film 'Nostalghia'.   Julie Born Schwartz lives and works in Copenhagen. She studied at Goldsmiths and the Royal Academy Schools in London. She has exhibited and had screenings across Europe. Recent exhibitions and screenings include:Vermilion Sands, Copenhagen; Code Art Fair 2017, Copenhagen; Schirn Kunsthalle, Frankfurt; Royal Academy of Arts, London; The Theatre Museum at the Court Theatre, Copenhagen; Theatre Museum, Düsseldorf; Socle du Monde Biennale 2017, Herning; Museum of Religious Art, Lemvig; Union Pacific Gallery, London; Photographic Center, Copenhagen; The Sunday Painter, London. For a full list and information about her films please visit her website: http://www.juliebornschwartz.com/.   The exhibition is supported and made possible by the Danish Arts Foundation and Mahler & LeWitt Studios residency program.    
    2018-11-02 17:49:00
    2018-12-19 19:49:00
  • Julie Born Schwartz

    From December 15, 2018 to December 15, 2018
    Opening:
    At Galleri Image
    Join us for an artist talk with Julie Born Schwartz on December 15th, where she will present her current exhibition at Galleri Image: EX-VOTO. Born Schwartz will introduce her work, and the process and thoughts behind the exhibition.In accordance wit
    h the season we will make sure the talk is accompanied by a cozy atmosphere in Galleri Image with some Christmas sweets and goodies :) We are looking forward to seeing you!
    2018-12-15 14:00:00
    2018-12-15 15:00:00
  • Maria Meinild

    From January 11, 2019 to February 24, 2019
    Opening: Friday January 11th 4. pm - .6 pm.
    At Galleri Image
    A HUM features new work by Maria Meinild.   Maria Meinild (SE/DK) works with spatial video installations and her practice also involves photography, collage and objects. In her work she combines methods from the film- and theater world with inve
    stigations of the staging of life, the social behavior patterns of humans and our imagination of normality.   Maria Meinild was born in 1984. She lives and works in Copenhagen and is educated at The Royal Danish Academy of Fine Arts and Akademie der Bildenden Künste in Vienna.   Her works and installations have been shown in various Danish and International contexts. For further information on Maria Meinild, visit www.mariameinild.com.
    2019-01-11 16:00:00
    2019-02-24 17:00:00
  • Zach Blas, Jemima Wyman, Petra Cortright, Sebastian Lütgert a.k.a. Robert Luxemburg, Winnie Soon, Sarah Shorr, Michael Mandiberg, Anna Ridler and Kristoffer Ørum.

    From March 08, 2019 to April 28, 2019
    Opening: Friday March 8th from 4. pm - 6. pm
    At Galleri Image
    Screen Shots: Desire and Automated Image is a group exhibition and symposium curated by Assistant Professor at Aarhus University, Magdalena Tyzlik-Carver. This group exhibition presents the work of 9 artists who produce images with the use of computationa
    l processes of image making. At the heart of the project is a networked image that does not simply result from performing a set of gestures: aim, frame, capture, share, common in social media culture. Rather the focus here is on a distributed and durational quality of presented works performed and executed by different agents, at different times and to different ends. Showcasing images as hybrid, subjectivised and algorithmic (mathematical) this exhibition investigates the relation between computational process of generating image and the way that the artists inject their desires and activate affect as operational within a computational system. If we consider the image as a scene we fall in love with, one that we want to capture and keep, what are contemporary infrastructures of image-making where a computer becomes one with a camera? How does this computational process of photography shape and organise the scenes that we so want to keep​ and those that are made for databases? What are the stories that we want to remember and those that can be generated by the data query? Today, images captured with a camera that is a phone that is a computer result from networking of humans and machines, social media platforms and their users, algorithms and data, protocols and resolutions. And in the process we learn what it means to see like a machine, and we teach machines what it is that we can see and feel. Human intervention in the computational process injects love and anxiety; humour, desire and mourning are translated into data and processed by algorithms. Photography is defined as technology and a medium of representation, but what is represented, how and for whom is not that obvious to see.   Artworks in this exhibition engage images to expand both our understanding and experience of them. Captured with the screen-shot function the image is processed and performed as a story, a collection of data or executed as a computer program. The desire to see more leads to the image as imaginary. In effect what is introduced as part of Screen Shots is not just considered in terms of what images represent but rather as complex processes of data manipulation and remediation. Taking into account the distributed photographic apparatus and its infrastructures the exhibition aims to showcase the very process of image making as imaginary scenes performing stories, bodies, data, affects and computation.The exhibiting artist are: Zach Blas (UK/USA), Jemima Wyman (AU/US), Petra Cortright (USA), Sebastian Lütgert a.k.a. Robert Luxemburg (D), Winnie Soon (HK/DK), Sarah Shorr (USA/DK), Michael Mandiberg (USA), Anna Ridler (UK) and Kristoffer Ørum (DK).Photo credit: Sebastian Lütgert a.k.a. Robert Luxemburg, the conceptual crisis of private property as a crisis in practice, 2003. The exhibition is supported by Danish Arts Foundation, Kulturudviklingspuljen (City of Aarhus), US Embassy Small Grants Program and Grosserer L. F. Foghts Fond
    2019-03-08 16:00:00
    2019-04-28 17:00:00
  • Arko Datto

    From May 03, 2019 to June 23, 2019
    Opening: Friday, May 3rd from 4. pm - 6. pm
    At Galleri Image
    Picnicking is far from a simple affair in eastern India. In a land where the fleeting months of December to February offer the only time to ‘enjoy’ the otherwise unbearable tropical sun, picnicking is a winter pastime that’s taken very, very seriously. B
    uses and cooks are hired as groups of families, friends, neighbors and colleagues travel far to claim the perfect picnic spot, preferably around the innumerable rivers traversing the landscape, from the Ganges downstream to the Rupnarayan, Icchamati and myriad other tidal rivers close to the Sunderbans. Vats of freshly slaughtered chicken, sacks of vegetable and an arsenal of pots, pans and gas cylinders are lugged along, taking cooking en plein air to a whole new level. Yet the most curious detail is, by and far, the extravagant loudspeakers that come with nearly every picnic group. Transported in their own hand drawn carts or mini-vans, separate generators are also brought along to pump up the electricity in the great outdoors. Songs from recent Bengali and Hindi blockbusters blare high above permissible decibels. Drunk on whiskey and rum, men of all ages brawl, dance their hearts out or pass out, as wives, girlfriends and children watch. PIK-NIK by Arko Datto, with work done between 2013 and 2015, takes a look at these yearly picnics as a phenomenon, their cultural meaning, and the environmental imprint that is left on the nature after each event.Read more about Arko Datto: http://www.arkodatto.com.
    2019-05-03 16:00:00
    2019-06-23 17:00:00
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